![]() Perhaps that is owed to the Lips’ already cemented playing style, a loopy interpretation of virtually everything that landed in the 1970s. The solo numbers, which included “Nobody’s Fault but My Own” on harmonium and “One Foot in the Grave” on harmonica, found a more penetrating depth than the band-accompanied songs. He still has the look of a teenager, even as his voice continues to get the sort of huskiness that country singers develop in middle age. The Brazilian-inspired “Tropicalia” also proved difficult for the act to gel on.īeck has a startling command of the stage, though. Also, Flaming Lips is a quirky rock ‘n’ roll band, one that proved its mettle when Beck turned to the hip-hop folk-rock tunes from “Odelay” - “Lord Only Knows,” “Where It’s At” and “Devil’s Haircut.” “New Pollution,” a funkier number, proved problematic, which Beck even acknowledged - the band had to play it so fast because they couldn’t find a groove that Beck is almost unable to vocally keep up. There’s a languid and loping pace to the “Sea Change” material, and if it had dominated the show there would be considerable nodding off.
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